Thu 31 May 2007
And forth did the glad musket go amongst his contemporaries
Posted by Dan Binns under writing
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Well in the end the test wasn’t too bad. It was on Turner’s “Steamer In A Snowstorm” and Monet’s “Gare St-Lazare”, and being the Monet fan and the Romantic that I am, was able to blab on for a good four to five pages about how different the Impressionists and the Romantics were. Which reminds me, I haven’t posted Blake for over a year. How shoddy and awfully slack of me. But we’ll get to that.
Once again I find myself in a mode where I could be knocking out something for uni that could be absolutely spot-on brilliant. I just don’t know where to start. Where in first semester last year it was a thesis on blogging, this time round it’s on copyright infringement in film.
There are so many angles that I could potentially cover – from the educational use of film footage to product placement to piracy – I just have no idea where to jump in. But I have some rudimentary readings to do so hopefully something will jump out at me instead.
The third cut of Jon’s Story is done – I’ve cut it by about three and a half minutes and I like where it’s going. I sought advice on the first and second attempts by my tutors and they said that it’s very arty and slow, but it shouldn’t be.
For those who are interested, it’s the story of a young man who once worked for a secret government department tasked with aiding North Korea in restoring economic, social and political equilibrium. For one reason or another, he was ejected from this department, and his memory was wiped by a third party. With only a small collection of belongings, including a photo of a girl who seems oddly familiar, Jon must recover his memories and uncover his mysterious past.
So you can see that the mood we’re after is very Memento meets The Bourne Identity. The film I’ve been working on for the past couple of days is a mere 3 or 4 pages from the original script I wrote, which is around 30 pages in length. I solicited the help of a few actors from the performance faculty at uni and a few of my mates from class and we managed to get the thing shot in a day and a half, as published before. So now it’s a matter of culling the footage we have, such glorious footage as it is. One of my tutors told me to ‘kill your babies’, and though it’s a painful process, I’m learning an unbelievable amount as I go, and I hate to say it (though I do far too often), but Hunter, you’re right.
Speaking of Romanticism in all its glory, the Sydney Writer’s Festival begins this week, and though I won’t be able to attend even a day, it always sparks some interesting articles in the papers, and this one by Andrew O’Hagan is no different. Vive le book.
And, as promised, I finish this evening with some words from the master himself…
How sweet is the shepherd’s sweet lot! For he hears the lamb’s innocent call,
From the morn to the evening he strays;
He shall follow his sheep all the day
And his tongue shall be filled with praise.
And he hears the ewe’s tender reply;
He is watchful while they are in peace,
For they know when their shepherd is nigh.
Until next time…